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:: Volume 9, Number 27 (Snmmer 2017) ::
تاریخ فرهنگ و تمدن اسلامی 2017, 9(27): 6-0 Back to browse issues page
بررسی تطبیقی ساختار و ترکیب بندی در نگارگری مکتب تبریزدوم و مکتب عثمانی (مطالعه موردی شاهنامه شاه طهماسب و سلیمان نامه)
Abstract:   (78 Views)

Following the Safavid court's rejection to support Iranian artists in Shah Tahmasp government, we have witnessed their immigration to neighbors and other countries (Such as India and Turkey). The presence of some of these artists in Ottoman court resulted in using their abilities and experience and also transferring most of the Second Tabriz aesthetic achievements in that government. Thus the achievements of Persian art were influential in the formation of the Ottoman school. In this research, much effort has been made to study the effect of  Second Tabriz School on Ottoman school and their similarities and contrasts relying on the precious work of The Shahnama of Shah Tahmasp also known as the Shahnama-yi Shahi  & Houghton Shahnama  (which  is arguably the most luxuriously illustrated copy of Firdausi's epic ever produced in the history of Persian painting ) and the book Suleiman Nameh  (which is the Achievements of  Fethullah Arif Çelebi to the Ottoman king Suleiman. This version shows the graphic style and the similarities with Ferdowsi's Shahnameh of Shah Tahmasp). The following content addressed level of adaptation of Ottoman School of painting from Iranian painting's aesthetic elements (10th century) and gained features and graphical aspects in both Schools of second Tabriz & Ottoman paintings by using library collection developments and presenting statistical tables. Iranian painting comparative study indicates obvious similarities in both groups in the first half of the 10th century and it implies that Iranian art achievements have had considerable influence on Ottoman panting by Iranian immigrant's painter activities in Topkapi Palace's studios and also some expert's guidelines on art production of Istanbul School. Artists of this school could achieve their worthwhile national style by adopting this valuable Iranian art and modulating it with their native art.

Keywords: Tabriz School, Ottoman Painting, Shah Tahmasp Shahnama, Suleiman Nameh, Miniature, Composition
Type of Study: Research |
Received: 2017/04/9 | Accepted: 2017/09/28 | Published: 2017/10/7
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بررسی تطبیقی ساختار و ترکیب بندی در نگارگری مکتب تبریزدوم و مکتب عثمانی (مطالعه موردی شاهنامه شاه طهماسب و سلیمان نامه) . تاریخ فرهنگ و تمدن اسلامی. 2017; 9 (27) :6-0
URL: http://tarikh.maaref.ac.ir/article-1-301-en.html
Volume 9, Number 27 (Snmmer 2017) Back to browse issues page
فصلنامه علمی ـ پژوهشی تاریخ فرهنگ و تمدن اسلامی The History of Islamic Culture and Civilization A Quarterly Research Journal
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